Illuminating the dark side of the American century, "The Monster Show" uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop analogue to surrealism and other artistic movements. With penetrating analyses and revealing anecdotes, David J. Skal chronicles one of our most popular and pervasive mode...(展开全部)

A serial killer is burning people alive in the Lake District's prehistoric stone circles. He leaves no clues and the police are helpless. When his name is found carved into the charred remains of the third victim, disgraced detective Washington Poe is brought back from suspension and into an investigation he wants no part of. Reluctantly partnered with the brilliant but sociall...(展开全部)

Absorbing Roman poet Ovid's tales of transformation in "Metamorphoses "and adding his own dash of art-historical figuration and contemporary pop culture, Mark Ryden broaches new terrain with "The Tree Show," Arcadian Gothic" might hint at the nature of this new work, and fans of Ryden will find familiar preoccupations in these new paintings, drawings and sculptures--made since ...(展开全部)

from: http://hk.myblog.yahoo.com/fresh_life_2007/article?mid=70 內容描述夢想組成清新結他樂隊的主角--根岸崇一，由鄉下來到東京完成學業後，非常意外地組成的是地下死亡金屬的超新星--D.M.C，與夢想背道而馳。上位過程出位爆笑，無心插柳的舉動卻成為音樂事業上的踏腳石。主角平日異常討厭Death Metal，但每當上台演出卻非常投入Death Metal的瘋狂吶喊中... 講真，公仔線條真係麻麻地，勝在故事抵死搞笑，將以往Death Metal、Black Metal樂隊的瘋狂出位行徑，重新包裝成爆笑成份甚高的情節，相信有接觸Death Metal、Black Metal的朋友，睇過哩本漫畫一定大嗌『痴線』 正所謂做戲做全套，原來漫畫中的死亡樂隊叫『Detroit Metal City』(...(展开全部)

show/off #2 magazine Show/Off #2 is a unique magazine about the Fashion Department, Royal Academy of Fine Arts - Artesis Hogeschool Antwerpen. It features highlights from the Fashion Department: the end of year collections of the Master students, works by the Bachelor Year students, information about various projects and workshops... Show/Off #2 is a collector’s item made with ...(展开全部)

Some 40 nationalities participate in the courses of the Fashion Department at the Royal Academy of Fine Arts, Antwerp, under the watchful leadership of Walter van Beirendonck. This magazine reflects the wide and exciting array of fashion that is created by such a diverse collection of participants. Full-page, colour photographs document recent fashion collections produced by th...(展开全部)

July 4， 1976<br >NEW YORK HARBOR<br >Tall sails scraped the deep purple nigl~ as rockets burst， flared， and flourished<br >red， white， and blue over the stoic Statue of Liberty. The whole world was<br >watching， it seemed; the whole world was there. Ships from fifty-five nations had<br >poured sailors into Manhattan to join the throngs， counted in the millions， ...(展开全部)

By the time Rock Hudson's death in 1985 alerted all America to the danger of the AIDS epidemic, the disease had spread across the nation, killing thousands of people and emerging as the greatest health crisis of the 20th century. America faced a troubling question: What happened? How was this epidemic allowed to spread so far before it was taken seriously? In answering these qu...(展开全部)

作者：金·戈登，生于1953年，美国实验后朋克乐队“音速青年”创始成员兼主唱和贝斯手，被视作女权主义力量的灯塔，有“后朋克女神”之称。 出现于纽约的“音速青年”，是史上最具影响力的乐队之一，他们的传奇持续影响着独立摇滚和美国流行文化。戈登多年来在舞台上以神秘而疏离的气质著称，毫无女孩气，也不倒向男人气，与这支男性主导的纽约噪音乐队共同奋斗三十余年，更将自己的活动扩展至时尚、表演和艺术等领域，成为女性力量存在的鲜活证明。 2011年“音速青年”解散后，戈登组建了乐队“身体/头脑”（Body/Head）。2014年，出版艺术评论文集《这是我的身体吗？》（Is It My Body?），并在洛杉矶高古轩画廊（Gagosian Gallery)、纽约白色廊柱画廊（White Columns）、纽约303画廊（303 Gallery）举行个人艺术展。 戈登目前...(展开全部)

作者：金·戈登，生于1953年，美国实验后朋克乐队“音速青年”创始成员兼主唱和贝斯手，被视作女权主义力量的灯塔，有“后朋克女神”之称。 出现于纽约的“音速青年”，是史上最具影响力的乐队之一，他们的传奇持续影响着独立摇滚和美国流行文化。戈登多年来在舞台上以神秘而疏离的气质著称，毫无女孩气，也不倒向男人气，与这支男性主导的纽约噪音乐队共同奋斗三十余年，更将自己的活动扩展至时尚、表演和艺术等领域，成为女性力量存在的鲜活证明。 2011年“音速青年”解散后，戈登组建了乐队“身体/头脑”（Body/Head）。2014年，出版艺术评论文集《这是我的身体吗？》（Is It My Body?），并在洛杉矶高古轩画廊（Gagosian Gallery)、纽约白色廊柱画廊（White Columns）、纽约303画廊（303 Gallery）举行个人艺术展。 戈登目前...(展开全部)